Detailed Schedule – 2018

8:00a – 8:30a    Lobby Check In/Registration

8:30a – 9:15a    Auditorium

Introduction/ Keynote Address: Simon WoodThe 21st Century Author

 

WORKSHOP I  9:30a – 10:45a

Room 107    Business: Art of Submitting – Midge Raymond

In this workshop, we’ll discuss how to find the right agent/editor for your book; what agents/editors expect from author submissions; how to craft a good query letter; and what to expect as a writer during this process.

Room 108    Genre: Fantasy and Sci-fi – Lindsay Schopfer

Learn how you can write and promote a speculative fiction novel which both dedicated fans and casual readers will enjoy.

Room 110    Writing: Dreams as Inspiration to Write – Heather Dawn

We will cover how to remember dreams, keeping a dream journal, how to incubate a dream, and techniques on how writers can use dreams in their writing.

Room 111    Craft: Plot Thickeners, Part I – Simon Wood

This workshop will cover fast and effective techniques for plotting a novel from beginning to end. Don’t run out of ideas or pad out your novel again. The presentation includes the famous color-coded plotting spreadsheet.

 

WORKSHOP II   11:00a – 12:15p

Room 107    Writing: Great Dialogue – Midge Raymond

Come and study examples of good dialogue and discuss how and why these work, and we’ll go over tips for how to write engaging conversations, with writing exercises that will reinforce the major tenets of effective dialogue.

Room 108    Genre: Plotting the Picture book – Clare Meeker

Learn how to create a strong plot using a 3-problem approach to story structure that will hook your reader from the first word to the last.

Room 110    Business: Choose Your Own Adventure – Traci Hilton

You are in charge of what happens to your story! From formats to platforms, from advertising to social media, the choices are almost unlimited.

Room 111    Craft: Plot Thickeners, Part II – Simon Wood

Part two of Simon’s two part presentation! Part one presented at the 930a discussion.

12:15p – 1:15p Lobby    LUNCH Pick-Up – then choose to join a panel discussion.

 

PANELS  12:30p – 1:15p

Room 107   Panel: Craft  (bring your lunch with you)

TENSION AND THE SPARK – Using action to light up your story and drive it forward

Moderator: Amy Flugel

Panelists: Jordan Hartt, Bill Ransom, Midge Raymond

 

Room 110   Panel: Marketing (bring your lunch with you)

THE BEST OF MARKETING, THE WORST OF MARKETING

Moderator: Jennifer Vandenberg

Panelists: Kyle Pratt, Lindsay Schopfer, Simon Wood

 

See page 7 of the program for more information on the panels and presenters.

 

WORKSHOP III  1:30p – 2:45p

Room 107   Writing: Navigating the High Stakes Seas of Writing Contests – Midge Raymond

This workshop is for all writers, emerging and published, who have wondered what goes on behind the scenes of writing contests, from literary magazines to small presses.

Room 108   Genre: Flash Fiction – Jordan Hartt

This short course will be an introductory presentation of sensory detail, character, and plot.

Room 110   Business: Building a Freelance Writing Career – Andrea Culletto

In this presentation, discuss how to build a freelance writing career on a foundation of local publications.

Room 111   Craft: Collaborative Writing – Bill Ransom

As co-author of three novels with Frank Herbert, we’ll discuss the art of working with other authors.

 

WORKSHOP IV  3:00p – 4:15p

Room 107   Business: How to Sell Your 1st 50 books – Veronica Noize

This info-packed class will show you how to sell your first 50 books fast by revealing three great strategies, including the nitty-gritty details.

Room 108   Genre: Killer Suspense – Simon Wood

Simon outlines the key differences between suspense and mystery and discusses the techniques for building suspense and creating thrills.

Room 110   Writing: Writing for Self-exploration – Andrea Culletto

In this workshop we will explore various ways writing can be used for self-exploration, personal discovery, identity formation and therapeutic release.

Room 111   Craft: Revision – Bill Ransom (Bring a draft manuscript!)

We’ll identify strengths and weaknesses in language and explore opportunities for figurative language that enhances sensory effects.

4:15p – 4:30p Lobby Final Words